@Brothakyo
If anything, I should be thanking you; I just offer constructive criticism, but it’s nothing without the sources, the art that makes me feel the need to say anything at all; I’ll be happy watching this be molded into solid, beautiful art that will simply be called “yours”.
… Under the guise of an explicit/questionable/suggestive tumblr blog, of course. Heh…
I have always like drawing characters without dialogue just to practice poses and the like, telling a story without words just to get a point across via facial expressions and body behavior.
Your compliment literally made my day on an otherwise crappy evening. Thank you so much.
On a side-note, loving the art so far. Great use of the surrounding area to help show the environment she’s in, and there’s no wasted poses or detail to small for you, it seems; it almost seems like, without dialogue, one could still garner something close to the message you’d like to deliver with each frame you draw. As great as the curious-though-aware-while-sinister look on the right side is, the left side impresses me considerably more, as from a distance, emotions are generally much harder to read off of a character, yet her eyes and body language (arms open, both hands occupied but relaxed, same with one of her legs being relaxed) give off a sense of boredom, like she’s explaining something that doesn’t quite interest her much.
If anything, I should be thanking you; I just offer constructive criticism, but it’s nothing without the sources, the art that makes me feel the need to say anything at all; I’ll be happy watching this be molded into solid, beautiful art that will simply be called “yours”.
… Under the guise of an explicit/questionable/suggestive tumblr blog, of course. Heh…
Dag, yo. You nailed it.
I have always like drawing characters without dialogue just to practice poses and the like, telling a story without words just to get a point across via facial expressions and body behavior.
Your compliment literally made my day on an otherwise crappy evening. Thank you so much.
Ah, excellent.
On a side-note, loving the art so far. Great use of the surrounding area to help show the environment she’s in, and there’s no wasted poses or detail to small for you, it seems; it almost seems like, without dialogue, one could still garner something close to the message you’d like to deliver with each frame you draw. As great as the curious-though-aware-while-sinister look on the right side is, the left side impresses me considerably more, as from a distance, emotions are generally much harder to read off of a character, yet her eyes and body language (arms open, both hands occupied but relaxed, same with one of her legs being relaxed) give off a sense of boredom, like she’s explaining something that doesn’t quite interest her much.
Aww, see, Grey appears now, but yes, what I meant was W I N K or whatever it was we use to let each other know we were on the same page.
Yes, hence me using the gif of Turner Grey doing the same, rather than something that would seem more angry.
She needs to learn to adjust her glasses Kuro-style.
Why, she’s just adjusting her glasses, dear sir.