Some info from the panel at Bronycon:
Confirmation that the vetting process for artists involves sending pages to their editor at IDW which then sends it to Hasbro. The IDW editor acts as a first gatekeeper that’s supposed to shut down obvious mistakes and blatant references that are copyrighted and basically avoid the trouble of bothering Hasbro with no-nos, but since there’s been lots of different editors with their current one being “In their early 20s”, the artists enjoy trying to sneak in obscure reference that not even Hasbro picks up on. Some more than others, but Andy Price
alone most likely caused Hasbro to step on their game on that regard.
Cosmos’ design was
rough. Not only was her initial appearance set in stone
after the marketing push leading to covers that had to go abstract or showcase
something else entirely , Andy had to re-do her “Final” form fused with the main characters because he went with a literal Eldritch Abomination at first.
As though it needed even more bashing, Andy brought up how his design of the Umbrum for the Seige arc was literally him standing up and messing around with his stretched out arm on the paper with a marker pen. He sent it “for the lulz” only for the concept to be approved, to his disbelief.
The comic industry is a “Feast or Famine” business, you either end up at the right place at the right time and meet with another artist or contact which happens to tell you about a new venture and get the job
or you’re screwed and need to find another career. They recommend having a backup plan, cause getting such a long contract with IDW was a winning lottery ticket for many of them, and even then once that’s done
that’s done.
Andy used to hate drawing the Princesses, but it’s now his favorites due to their unique faces. There’s a reason he doodles them so often, for sure.